dewdrops -

how better wash away

world's dust?

- Matsuo Bashō

dewdrops: Weekly Haiku explores the spiritual relationship between Zen and art, resonating from the intersection of the seasons (Kigo), and awakening to the ordinary (Kensho). Skilful haiku reveals the extraordinary in the ordinary, capturing the present moment; in the words of R.H. Blyth, the form is “The expression of a temporary enlightenment, in which we see into the life of things” . 

Our aim is to provide opportunities for haiku poets in the spirit of our Zen roots to have an opportunity for publication, and to celebrate the enlivening spirit of this ancient form. As such, we will publish one chosen haiku weekly online, and then gather the year’s selected haiku into an annual anthology in print. 

The Essence of Zen & Haiku:

“The strong emphasis on the seasons in haiku means that a sense of the changes in the natural world, paralleled in the human world, is at the core of every haiku . . . Haiku is a momentary, condensed poetic form and its special quality is that it is perfectly adapted to give the reader that little instant of kensho insight. Basho developed the haiku form so that each haiku became a little burst of awakening.”  - George Marsh (Haiku Foundation) 

GUIDELINES:

* Please read our Submission Guidance below mindfully. 

*We accept simultaneous submissions, but please do let us know if your work has been accepted elsewhere.

Submission Guidance: 

● Seasonal reference: Autumn (Sept.-Nov.) Winter (Dec.-Feb.) Spring (March-May) Summer (June-Aug.) 

● Submissions from March - May to reference the Spring season; or use of season words.

● Free verse or 5-7-5 form is accepted 

● 17 syllables or less 

● Up to 3 Individual poems per submission 

● Please do not number or title haiku 

*Please include with EACH submission, your name exactly as you wish it to appear, and your location. 

Essential Qualities: (What we value in a haiku)

● Does it inherently create the universality of our experience? 

● What does it say without telling (intuitive presentation without explanation)? 

● Different insights and feelings when re-read and reflected upon? 

● Succinct observation; experience and an expression of the experience? 

● Proper and creatively chosen Kigo (seasonal word)? 

● Does it have a lyrical rhythm and cadence? 

● Does It express seeing the ordinary in the present moment (kensho)? 

● Is the use of a Kireji (cutting word) utilized to divide the poem into two parts? 

● Does Impermanence resonate? 

*500 ESSENTIAL JAPANESE SEASON WORDS (The Haiku Foundation) https://www.thehaikufoundation.org/omeka/items/show/821

We cannot pay for published work at this time. 

The Dewdrop has launched a column of love stories and we are open for submissions.

We are looking for true stories, not fiction; pieces of creative non-fiction, personal essays about love in any form it manifests: marriage, friendship, parenthood, family ties, crushes, obsessions, break-ups, inspirations, divinity, heartbreak. As much as possible, we prefer that real names be used.

Submissions should be between 1,000 and 2,000 words in length, and we ask that all authors' and protagonists' names not be changed.

We are generally able to reply to submissions within 30 days. We accept simultaneous submissions, but please do let us know if your work has been accepted elsewhere.

We cannot pay for published work at this time.

The Dewdrop is accepting any submissions of poetry from writers for the month of July 2025.
                   To get an idea of the kind of content we lean towards, have a read of our website.
                   We accept pre-published work, so long as republication is permitted.
                   Submitted poems can be of any length, and we accept up to three per submission.
                   We cannot offer compensation for published work at this time.